Idakka kol, the stick used for playing an idakka is almost one-fourth the size of the one used for playing a Chenda. His positioning of and negotiations with the edakka have attracted criticism from informed critics. In some temples it is being outside the door of the inner sanctum sanctorum, which add to its beauty. The one name that is always synonymous with idakka and Sopana sangeetham in the second half of the 20th century has been the legendary Pallavur Appu Marar—he, unlike many others, was an expert in using it both as a percussion and musical instrument. If, by any chance, I fall down, you have to protect me.
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The rest, as the cliche goes, is history. Exactly at the center of the stick, there is a hole, which is known as the air hole. Indian citizens do not need anyone to speak on their behalf. Kathakali, the classical dance-drama from Kerala, also gives a slot to playing the idakka when a female character holds the stage. The stick is curved, similar to that of an elephants tusk.
Das took the advice of Marar and took up the edakka as his way to self-fulfilment, fame and fortune.
But heeding the suggestion of connoisseurs, he later cut it short to an hour, thus considerably reducing the monotony of repetitive notes. It is the boiled rice that we get from the temple after the ceremonial offering to gods and goddess which is used for the purpose.
The idakka is slung over the left shoulder and the right side of the instrument is beaten with a stick.
On a journey with the edakka
Krishnadas inherited the taste for music and talas from his illustrious family — Mundempilly Marath at Tripunithura. Ananda Sivaraman, the son of Late Njeralathu Rama Pothuval and the only person who have mastered the artisanship of making an Idakka in Kerala, also shares this opinion.
It was not seen to be used by revered Carnatic music composer Saint Thyagaraja, when he was visited by classical musician, Shadkala Govinda Marar. Six holes are made in these rings for tying the strings. This article is closed for comments. One bunch will consist of 16 different colorful woolen balls, which is tied onto a Jeevakkol using cotton thread that is? Krishnadas selected his accompanying artistes for the concert on the basis of their attitude and behaviour towards the edakka.
Altogether there are be 64 woolen balls. Once the holes are made the skin should be stuck on the rings in such a manner that it covers and reaches out of the circumference of the rings. With reference to this assumption, it is assumed that the instrument idakka or edakka has the ability to produce all the sounds in a language. The idakkaalso spelt edaykkais an hourglass-shaped drum from Kerala in south India. The snares running under the drum heads have been souns to interact with the vibrating membrane in a way that causes the pitch of the instrument to aound determinate.
For a few years from then onwards, Krishnadas took different roles in the cultural arena — as singer, thimila and chenda player. The 64 strings represent the traditional 64 kinds of arts and the six holes, the six sastras.
This handy sond instrument is very similar to the pan-Indian damaru. Subscribe to our mailing list and get interesting stuff and music lessons updates to your email inbox. An assembled idakka is usually hung on the wall. An Indian snare drum with definite pitch”. Views Read Edit View history.
A band tied across the lacing is used to adjust the tone. Edamka Shiva is also interpreted to be the lord of the aboriginals. Marar closely observed the versatility of Krishnadas and his discerning eyes closed in on to the fact that the edakka is the forte of this youngster.
While the damaru is played by rattling knotted cords against the resonators, the idakka is played with a stick. Once this instrument, which belonged to Lord Vishnu, was stolen by the disciples of Lord Shiva and was used during the dance performance of Soynd Shiva.
It acts as in former the classification in case of Panchavadyam or Idakka Thayambaka, and as in the latter during Mohiniyattam or fusion sessions. The peculiarity of some of the traditional musical instruments of Kerala is that the sounc have to stand while playing them.