Kalaimagal endre marumagal aagum punitha nilai serumo? Like Savithri who meets nine different people all Sivaji in Navarathiri, in Navarathinam, a bewigged and pencil-moustachioed MGR meets nine different heroines. Maasiyil therottam Panguniyil theppottam Chithiraiyil poochoriyal Eththanayo urchavangal Theradiyil kunindha vannam Devi pugazh paadiduvaar Kaavadigal soodiduvaar Karagangal aadiduvaar. Viswanathan Two women singing about the same man. The humming notes in the end are also exquisite and expressive.
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Sivakumar, himself a good actor, was supposed to have vowed to be more careful while selecting his roles in the future! Ramaswami as the co-producer, he produced and directed Makkalai Petra Maharasiand this marked the beginning of a memorable relationship between the director and the actor.
Other singers who made a mark this year singing for IR were B.
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Partheen arai palliyaraiyaaga irundhaal Vandha varai inbam endru vaangi kolluven Or oodal undu kaaviyathil nee adhai kondaai Idhu koodalukku vaasal endru naan adhai kanden. Satyaraj and Saratkumar would later traverse this trail to stardom.
So in all probability it was his film. NavarathiriThiruvilayadalSaraswathi SabathamKandan KarunaiThiruvarutselvarThillana Mohanambal and Thirumal Perumai stand testimony to the success of this partnership. How can I describe the magic of the song in mere words? Some classical notes on the veenai lead to the pallavi, and as we hear the devotion-filled lyrics in The Voice, we are engulfed larthen pure ecstatic bliss.
Krishnan was a very talented singer, with an earthy voice, completely shorn of any contrived ornamentation. Kaatiniley koodu katti kootiniley kuruvirendu koodal, konjam oodal Ammamma, ennamma A lovely romantic duet, with an interlude with a change of pace to indicate the chase!
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Poovidhazhgal naangum, paarthu paarthu yengum Paal mugathil thengum pazharasathai vaangum SPB: Sathiyam thathuvam pongum vaazhkkaiya? Sevvazhai thandaattam vandhu Then sindhu Nee sonnaal naan vaaren un pinnaadi thaan Un senthoora kannangal kannadi thaan.
Then comes another surprise and a third dazzling dimension appears. We must not forget that she was a trained dancer, her father Pakkiriswami Pillai was said to be a Dance master, while her sister Vyjayanthi was also a reputed dancer.
Pollaatha kannundu oorukkulle Poraamai undaagum uravukkulle. Kanniyin naal vagai saathiram than kadhalan kanngalil maathiram Unnidam naan oru paathiram adhil ootriya then mazhai un mugham VJ: Prathen compostion by IR.
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I do remember a game played in the film. Un kaaval deivam vandhen VJ: Malarum pothe vaasam theriyudhu, valarum pothe pasam puriyudhu Thaai thandhai seitha poojai veenaagavillaye Kandan andru mandiram sonnaan, Kannan andru Geethai sonnaan Magan sonna vedham kettu maraindhadhu thollaiye Un vaai mozhi mullai, enil thaai mozhi illai.
Malliam Rajagopal’s story, directed by Krishnan-Panju,the directors of Sivaji’s first film Parasakthi. He was last seen on screen, singing “Surulu meesakkaaranadi Veluthambi” in Veeran Veluthambi Maname solaiyaam solaiyaam Ninaivugal malargalaam Kovilil serumo theruvile pogumo?
JK has written a handful of film songs, and all of them are memorable: Sleep seems to be the panacea which both the lovers hanker after, but for different reasons. MSV evokes nostalgic memories of his “Nenjathai alli konjam thaa thaa” in this fast-paced cheery duet. Nambiya pennoru thaaragai Aval naadiya neeyoru vaanagam Vinnagham maariya pothilum Indha pennagham maaruvathillaye. Selvam indru vandhu naalai povathu SPB: Watch the play after TMS’s “Sollavaa”.
Lakshmi drapes over her shoulders the coat that Srikanth has left behind, and as she ruminates over her past, present and future, this song is heard as an asareeri from the aathmaa, and the film ends with the questions unanswered.
APN resorted to make some low-budget films with lesser actors. Wonder who wrote the lyrics?
Viswanathan And there were in the same country shepherds abiding in the field, keeping watch over their flock by night.